The chief film censor in Iran, up until 1994, was blind. Well, nearly blind. Before that, he was the censor for theater. One of my playwright friends once described how he would sit in the theater wearing thick glasses that seemed to hide more than they revealed. An assistant who sat by him would explain the action onstage, and he would dictate the parts that needed to be cut.
After 1994, this censor became the head of the new television channel. There, he perfected his methods and demanded that the scriptwriters give him their scripts on audiotape; they were forbidden to make them attractive or dramatize them in any way. He then made his judgments about the scripts based on the tapes. More interesting, however, is the fact that his successor, who was not blind -- not physically, that is -- nonetheless followed the same system.
Azar Nafisi, Reading Lolita in Tehran